The preface reminds us that the word “war” is derived
from the Old English word “wyrre,” meaning “to bring into confusion,”
but with clarity and comprehensiveness this book examines the phenomenon
of war in an instructive and informative manner.
Smith, who holds a Ph.D. in philosophy, is founder
and co-director of the Institute for Cognitive Science and Evolutionary
Psychology at the University of New England and is a former
psychodynamic psychotherapist. Understandably he takes that approach to
the study of war – his main thesis being that war is rooted in our
shared human nature, while it simultaneously violates one of the most
powerful human visceral taboos – killing other human beings. He does an
admirable job of delineating a cogent argument regarding the roles of
aggression versus the roles of empathy and the taboos against violence
and human nature; however, any viewpoint on war invites controversy. Yet
The Most Dangerous Animal
is so skillfully written that the
reader will likely take his thesis seriously, in spite of reservations
regarding the perspicacity of Mssrs. Darwin and Freud. It is a work
based on logic and examples rather than on authority, which lends weight
to the debate.
Smith “kindly” yet “firmly” helps us to comprehend
the difference between the airbrushed and staged Hollywood or even the
“Evening News” images of war and the brutality and barbarism of actual
warfare. While dismissing the artificial demarcations between “primitive
warfare” and the current high tech, structured, organized
state-sanctioned warfare, he recites the viewpoints of philosophers,
anthropologists, and psychologists to grapple with the question of “why
war?” While a lengthier discussion of these issues might intimidate the
average reader, perhaps greater detail and more references to other
works regarding the history of war would be helpful. However, Smith does
an excellent job of summarizing archaeological and anthropological
literature detailing the extent and significance of war in early human
history.
Smith offers a brief but excellent introduction to
evolutionary theory in order to explain the concept of “human nature.”
He provides examples of nonhuman aggression and intolerance in order to
put human aggression and violence into perspective. Smith discusses
large-scale intergroup conflict in baboons versus the stealthy and
lethal intergroup violence of chimpanzees. Contrasting the differences
between the lethal aggression of chimpanzees and the peaceful,
hypersexual, “make-love-not-war” nature of our hippie-like cousins, the
bonobos (pygmy chimpanzees), he argues that humans are much more
chimp-like than bonobo-like in our propensity toward violence. He
emphasizes the unsavory association of war with rape as well as the
sexual attraction of women to winning warriors.
The unique contribution of Smith’s work is his
unflagging effort to recognize where and how war is rooted not just in
our “nature” but also in our psychology, by providing a lucid summary of
the relationship between mind and brain. He reveals a philosopher’s
touch in examining the complexities of mind/brain concepts. Drawing from
his extensive clinical and theoretical work on deception and
self-deception (see Why We Lie [Smith 2004]), Smith examines the
emotional underpinnings of morality. He agrees with David Hume, in that
“morality is always a matter of passion or feeling and that reason is
always a slave to the passions.” Examining the taboo against killing, he
also recognizes the moral edicts and justifications to kill others in
war, as well as an historical support of capital punishment in the
criminal justice system. In support of my own psychotherapeutic
experience with patients who are war veterans, Smith argues that the
guilt of killing causes many more problems than the
fear and
memory of actual combat experience. In demonstrating
how
the psychological mechanisms used to overcome our aversion to killing –
how we identify with our predators and
how we identify
with our prey – he discusses the use of predator-avoidance mechanisms,
and perhaps most importantly, our need to dehumanize and vilify our
enemies in order to circumvent the internal prohibitions against killing
other human beings. This is the important parallel to the short story,
“The Most Dangerous Game.”
Smith submits that the depiction of war in books,
movies, and other mainstream media causes us to identify with
predator-avoidance mechanisms and can also foment patriotic fervor to
such a degree that the identification with warriors reveals something
important about our evolved psychology and “human nature.” He proposes
that archetypal feelings of disgust related to parasite dangers may
provide the emotional underpinnings for genocide. These are the areas
where psychology and psychodynamics become so important. Soldiers
literally do not know what they are doing when they kill the enemy,
Smith argues, and self-deception is crucial and necessary for these
“abnormal” situations. His description of these psychodynamics is
helpful in supporting his thesis; however his argument could have been
even more powerful had he cited additional literature on this subject by
other psychodynamic theorists (such as Volkan [1988], for instance).
While Smith is to be praised for his writing, there
are areas in which his argument falls short. Although he uses helpful
and interesting quotations (in this book as well as previous ones) to
support his views, he fails to cite the pages of such works, which
increases the work of those seeking the context of such quotations. His
organization of citations and footnotes suffers from the usual
deficiencies found in works aimed for the popular reader. Literary
citations contained only in the endnotes without a useful bibliography
cause difficulty for the scholar or interested reader to investigate
further.
As much as I felt that Smith “preached to the choir”
(at least as far as I was concerned) regarding his views on human
nature, evolution, the mind/brain dilemma, psychodynamics and psychic
conflict, self-deception, and the general level of innate aggression and
violence in mankind, his final conclusions are somewhat disappointing
(perhaps it was simply the presentation of his final conclusions). He
convincingly argues that the pleasure and rewards of war will likely
always remain with us and if we accept this conclusion, then all that
can be done to reduce the likelihood of war in the future is to
accentuate its horrors. Yet it appears there are other approaches which
remain unexplored and undeveloped. Global wealth may likely play a
crucial role in the psychological value of life. Greater optimism and
expectations of success may likely change the equations of the costs
versus the benefits of war. Global economic development may well provide
that hope. Generating a greater understanding and appreciation of the
conflicts of interest between soldiers and civilians directly affected
by warfare versus the rewards and interests of those who instigate and
advocate war (and especially those who profit from the economics of war)
may also help to tip the balance in favor of peace. Robert Wright, the
author of Nonzero
(1999), argues that cooperative trends towards
democracy and transparency are vital factors which bias us towards more
favorable social structures. The optimistic possibility remains that
certain iconic figures, such as the late Kurt Vonnegut Jr., will take
their war-time experiences and use their powers of description and
creativity to promote healing – for themselves as well as for others.
Perhaps it will be the artistic and creative community who will be most
sensitive to the dialectic which threatens progress in this area more
than any other: they must present the horror and inanity of war in a
convincing and objective way without overwhelming us to the point that
we shut down and ignore the horror. Just as imagination and idealism
causes enthusiasm for religious and patriotic fervor that leads to war,
perhaps the human potential for imagination and creativity will be the
prescription for what cures us of warfare as well.
In
Slaughterhouse Five, Kurt Vonnegut Jr.
gives a compelling description of Post-Traumatic Stress Disorder in the
first sentence of the novel (proper) using science fiction to portray
this most human of conditions: “Billy Pilgrim has come unstuck in time.”
In the meantime, we can continue to hope that academic and artistic
works will enable us to recalculate the mathematics of war and find it a
losing game for everyone. Perhaps Smith is more cynical than I, perhaps
just more realistic. But I would suggest that there are some things
worth believing in life, even if they aren’t true. Smith would argue
that this is the point – such self-deception is exactly what leads us
into war. I am suggesting a psychotherapeutic prescription which invites
a healthy optimism; one that hopefully allows us to strive towards and
dream of an end to war without kidding ourselves about just how big and
seemingly impossible such a task really is. I would gladly recommend
The Most Dangerous Animal as an important step in this direction.
References
Smith, D. L. (2004).
Why We Lie: The Evolutionary
Roots of Deception and the Unconscious Mind. New York: St. Martin’s
Press.
Volkan, V. (1988).
The Need to Have Enemies and
Allies: From Clinical Practice to International Relations.
Hillsdale, NJ: Jason Aronson Press.
Vonnegut, K. (1994).
Slaughterhouse Five: Or the Children’s Crusade, A
Duty Dance with Death (25th Anniversary
Edition)