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contents/no. 6
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Some six weeks into my 51st full
tilt around the Sun I find my solitary self plucking tiny hairs
from a tuft sprouting on the blunt tip of my nose. 200,000 years
of Homo sapiens evolution and I end up here tonight staring at my
mug and a poised pair of tweezers in the bathroom mirror. 200,000
years of DNA exchanges, natural selections and unselections,
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The
Affiliate
AN
ECOLOGY OF BIOPHILIC VALUES
yvette
a. schnoeker-shorb |
For Stephen R. Kellert
i.
We
are but planetary dreams, puzzles
of cells completed, yet unsolved,
complexes of tendencies
defined by organic associations
in Nature. Culture me not
to be engineered to desire
lifeless essentials
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Camille
CHILD OF
DIVORCE
elizabeth
insogna, 2005
lynn strongin
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had made it the
1000 miles thru the Rockies with her daddy who is divorced, a
weekend
daddy, the split seed the divided god
to deliver the car
in Albuquerque. I fried porkchops the first night, despite the
heat despite being a Jew
in a scold that would melt glass
plastic
the saints
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Wincing at the
Beautiful
paul
hostovsky
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So my friend Phil is telling me how
he can't get a date
how he loves women and how
they're always giving him looks
so I ask him what kind of looks
so he winces at the beautiful
braless young woman passing by
at that particular propitious moment
giving her a look of such
longing and longevity
that she returns his look with a look
that kills his entire family tree
from the roots to the unimagined
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Storm
Clitoris
howard bloom,
2004
howard
bloom
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hormones heave
and skin receptors
gather like the black
storm clouds
and that pink
of rising sun
beneath the labial shelf of cloud
turns red
in your
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The Emperor's
New Clothes
A REVISED VERSION
dylan evans
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“We
shouldn't blame ourselves. But it's like the psychologist
said. Some children just never get it. They never mature
enough to understand the value of lying. It's a biological
condition, a genetic disease.”
Suddenly, from within the crowd, came the
high-pitched voice of a child. “Look! He's got no clothes on! The emperor is naked!”
All
eyes turned towards the child, and then to the parents, whose
faces had gone red with shame. The father grabbed the child by
the ear and pulled very hard, while the mother
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The Closer
jay santini
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By now, I
am resigned to it. Leaving open is simply Amy’s “way,” as
natural to her as digestion or sleep. It is not that Amy
prefers objects to be left open, merely that she does in fact
tend to leave them open because for her the openness is not a
problem.
What
concerns me is the CD player. As I enter the family room
sipping my morning coffee, I notice that Amy has once again
left the player on overnight with its tray extended, the
machine’s countenance that of a child sticking its tongue out
at me
―
or Amy sticking her tongue out at me. Turning my back
on the player to gaze out our
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The Alien
Planet of Sex with a New Man
aman resort, bali
ellen salle
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A story, like a potential lover,
wants — needs — to be noticed. Whereas a man might don a
beautiful, deep-red linen shirt
(especially when all
the men are wearing blue, cotton plaid)
in service of his genes, a story might don a cute,
geeky, novel title in service of its memes.
I go
back and forth with this title. It’s not really mine and
not really my style, exactly — it’s Adrian’s — from his
prescient story, “White
Fur.”
My editor likes it, says I should keep it, says “it’s
endearing and novel.” I thought about calling it
“Red Yucca” for a bit, but you might've passed by “Red Yucca”
—
not “The Alien
Planet of Sex with a New Man,” though! How could you
resist “The Alien Planet of Sex with a New
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Leo in
the Attic
vien, 1765
ronald pies
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I didn’t exactly volunteer to
be Uncle Leo’s caretaker-in-chief. Nor had I planned, at age 27,
to be living at home with my widowed mother, or working as a
“sales associate” at the Borders in Newton. But after I left the
literature program at Northeastern, the economy soured, I was
broke, and it was either move in with Mom or hook up with my
ex-girlfriend. My mother actually won out on the personality
factor, and is decidedly a better cook than the ex.
“The Universe is transformation. Life is opinion.”—
Marcus Aurelius
My crazy Uncle Leo lives in our attic. Today,
when I offered him his cocktail of Resperdal, Seroquel, and
lithium, he asked me — almost apologetically — if I had noticed
that the imperfections in the glass of his dormer window
formed a pattern. “If you connect the little bubbles, starting
from the left upper quadrant and moving clockwise, they form a
silhouette of the prophet Isaiah.” I told my uncle that I
couldn’t see the pattern, but that I hoped he found some
happiness in it. “Oh, yes, Joel, yes, I
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The Role of
Traditional Children's Stories in Human Evolution
megan jz, 2005
kathryn coe,
craig palmer, nancy e. aiken, chris cassidy
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A general
evolutionary prediction is that traditional stories should
encourage behaviors that helped our ancestors survive and
reproduce in the past....We
expect the majority of traditional stories will concern the
most important, unpredictable, and potentially dangerous
aspect of the human ancestral environment: other humans.
Most Darwinists would agree
that modern Darwinian theory can shed light on cultural
behavior, including the behaviors of composing and telling
stories. Where Darwinists interested in literary narrative
might differ, however, is in the definition of what should
be included in the category of literary narrative:, i.e.,
does literary narrative refer only to the fine
arts or are stories told
in tribal societies also examples
of literary narrative?. Another place where such
Darwinists differ is in their view of the function of
literary narrative. Those who focus on literature as fine
art argue that literary narrative has a cognitive
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Perfuming
the Mind
THE
BIOLOGICAL LOGIC OF PHYSICAL ATTRACTION
james v.
kohl
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All mammalian sexual behavior,
including human sexual behavior is driven by pheromones. Since
only humans make conscious associations (e.g., think), men and
women are likely to think that their sexual behavior is driven
by visually perceived physical attraction. This erroneous
thinking defies biological logic, and consistently fails to
offer an explanation for many aspects of human sexual behavior
(e.g., paraphilias, and homosexuality).
People tend to think of "seeing" or
"observing" directly with their senses, as if what we see,
hear, touch, taste, or smell directly determines our
overall impression of the world around us. Few people
think about unconscious affect, which by its nature does
not require any thought.
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Intersecting
Worlds
ON
GRIEF, CLAIR-SENTIENCE, AND PLACE
megan jz,, 2005
deborah
denicola
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Was this my
projection of the moving energy field around me, one based upon
quantum physics, that hypothesized connection between science
and faith, the machinations that made me aware of invisible
dimensions? Could my unconscious mind have given me an image of
"The Butterfly Theory" with its understructure showing the
interdependencies of intersecting worlds? Was I influencing my
own reality by projecting British physicist Rupert Sheldrake's
idea of "morphic
resonance,"
where the present overlays the past? Einstein helped us
understand that time is only a construct, past, present and
future are all happening at once in the Now.
The sun was just coming up at five a.m., the sky, a
finger-painting of mauve and tangerine, when my guide deposited
me at a lone cabin atop a hill. My expansive vista included
overgrown and wind-torn grasses as well as the churning
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Signposts for
a Naturalist Criticism
william benzon
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W hereas
the Darwinists have explicitly talked about the value and
importance of science and of the need for a scientific
approach to literature, Moretti never talks about science
at all. Let my imaginary funding decisions stand as a
comment on the intellectual value of professing science as
opposed to gathering data in the pursuit of a naturalist
study of literature.
A Naturalist
Imperative
The two books
under review present alternatives to current methods of literary
study. In Graphs, Maps, Trees, Franco Moretti opts for
“distant reading” where “distance is however not an obstacle,
but a specific form of knowledge: fewer elements, hence a
sharper sense of their overall interconnection. Shapes,
relations, structures. Forms. Models.” Among his
structures are growth curves from quantitative history, though
they could be from population biology, and phylogenetic or
genealogical trees. The Literary Animal, edited by
Jonathan Gottschall and David Sloan Wilson, is biological
through and through, justifying the ways of biology to students
of culture and arguing that story tellers have known it all
along.
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If I’m
wrong and our reality truly is filled with materializations,
anomalous information transfer, and direct physical effects from
human intention, then Tiller’s model may well be the greatest
conceptual breakthrough that we have ever imagined.
Some
Science Adventures with Real Magic conveys a simple and
familiar idea in an unusually complex way. The goal is to define
and explain broad domains of anomalous phenomena in a way
consistent with modern science, and to show what it all means
for the future and potential of humanity. These efforts have
typically been pigeon-holed by hard-line physicists and others
as "New Age" mysticism, while
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art
42” X 30“
mixed media on rives bfk,
2004
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I am keenly aware of areas where domestic life intersects
with intellectual curiosity. I began researching fertility
and birth rituals while I was pregnant. Seeing Pre-Islamic
Kyrgyz and Uzbek suzanis (marriage bed quilts)
feature circular motifs in vibrant reds, pinks, oranges,
that represent the sun, moon, the heavens, flowers, or
pomegranates—all symbols of fertility—resonated deeply with
me. Many cultures use circular imagery to represent the
cycle of life. Today, in modern day Bukhara, a "moon-sky"
motif is still appearing on circular loaves of unleavened
bread, as it has for hundreds of years. Thus, motherhood
makes for strange inspirational bedfellows. In addition to
the centuries-old fertility and childbirth objects, simple
domestic objects serve as creative sparks for my paintings:
Hula-hoops, bubble wands and potty chairs.
see
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photo: robin poritzky
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photo:
melissa frazier
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This piece is from cadence, a body of work which combines
different elements to create a visual narrative. Cadence
is a visual poem about balance - light and darkness; form and
texture; sharpness and softness.
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editors
Entelechy is very pleased
to welcome
poetry editors
Tim Horvath and Jason
Ronstadt
tim
horvath | poetry
editor
Tim
Horvath, with an MA in English Education from Teachers
College, Columbia University, and a soon-to-be-conferred MFA
in Creative Writing at the University of New Hampshire,
taught high school English for nine years, and currently
teaches composition at UNH. Tim is a three-time finalist in
Glimmer Train's New Writers Competitions and recently
received a prize from UNH for his story "Lax." His interest
in cognitive neuroscience and evolutionary psychology has
led him to speak at various conferences, including recent
and upcoming ones with co-editor Jason Ronstadt on the
dreaming-brain and literature. He is currently working on
a novel, tentatively entitled Spectra.
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